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Arshile Gorky - Taylor, Michael R.; Taylor, Michael R.; Theriault, Kim S; Patterson, Jody; Cooper, Harry; Storr, Robert; Kerr, Melissa - Yale University Press
  • Oct 27, 2009
    400 p., 9 x 11 3/4
    66 b/w + 277 color illus.
    ISBN: 9780300154412
    Cloth
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Art and Architecture

Published in association with the Philadelphia Museum of Art 
 

Arshile Gorky

A Retrospective

  • Edited by Michael R. Taylor; Essays by Harry Cooper, Jody Patterson, Robert Storr, Michael R. Taylor, and Kim Servart Theriault; Chronology by Melissa Kerr
      REVIEWS             PREVIEW             CONTENTS             EXCERPTS      


Out of Print.


Chosen for the 2009 Gift Books Guide: Art and Design, Toronto Globe and Mail

Selected as a Choice Outstanding Academic Title for 2010 in the Fine Arts category

Arshile Gorky (c. 1904–1948) was one of the central figures in American art’s shift toward abstraction during the first half of the 20th century. Accompanying the first major retrospective of his work in almost thirty years, this stunning book traces the evolution of Gorky’s arresting visual style. Nearly 200 paintings, drawings, sculptures, and prints from all phases of his career, a number of which are published here for the first time, are beautifully reproduced, including a large figurative painting from 1927 known previously only through its preparatory studies. Throughout the volume, some of Gorky’s best-known and most powerful works are paired with related pieces or with meticulous preliminary studies, shedding new light on his artistic process. Illustrated essays incorporating recently discovered biographical information and photographs examine his experience of the Armenian genocide (during which he witnessed the death of his mother), his collaboration with the Works Progress Administration, and his early explorations of abstraction and Surrealism, providing important reassessments of his life and career.

 

Admired by many of his contemporaries and hugely influential on subsequent generations of artists, Gorky created a complex and deeply moving body of work that encompasses styles ranging from Impressionism to Cubism, Surrealism, and the beginnings of Abstract Expressionism.

Michael R. Taylor is the Muriel and Philip Berman Curator of Modern Art at the Philadelphia Museum of Art. He is also the author of Marcel Duchamp: Étant donnés and an introduction to the revised edition of Duchamp’s Manual of Instructions for Étant donnés.

EXHIBITION SCHEDULE

Philadelphia Museum of Art (10/15/09 – 1/10/10)

Tate Modern, London (2/10 – 5/10)

Museum of Contemporary Art, Los Angeles (6/10 – 9/10)

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