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Many Are Called - Evans, Walker; Sante, Luc; Rosenheim, Jeff L.; Agee, James - Yale University Press
  • Oct 11, 2004
    208 p., 7 1/2 x 9
    90 duotone illus.
    ISBN: 9780300106176
    Cloth
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Art and Architecture
History

Series Information
Metropolitan Museum of Art Series

Published in association with The Metropolitan Museum of Art  
 

Many Are Called

  • Walker Evans; Foreword by Luc Sante; Introduction by James Agee; Afterword by Jeff L. Rosenheim
      REVIEWS             PREVIEW             CONTENTS             EXCERPTS      

                        


Out of Print.


Received Honorable Mention for the 2005 Golden Light Award

Between 1936 and 1941 Walker Evans and James Agee collaborated on one of the most provocative books in American literature, Let Us Now Praise Famous Men (1941). While at work on this book, the two also conceived another less well-known but equally important book project entitled Many Are Called. This three-year photographic study of subway passengers made with a hidden camera was first published in 1966, with an introduction written by Agee in 1940. Long out of print, Many Are Called is now being reissued with a new foreword and afterword and with exquisitely reproduced images from newly prepared digital scans.

Many Are Called came to fruition at a slow pace. In 1938, Walker Evans began surreptitiously photographing people on the New York City subway. With his camera hidden in his coat—the lens peeking through a buttonhole—he captured the faces of riders hurtling through the dark tunnels, wrapped in their own private thoughts. By 1940-41, Evans had made over six hundred photographs and had begun to edit the series. The book remained unpublished until 1966 when The Museum of Modern Art mounted an exhibition of Evans’s subway portraits.

This beautiful new edition—published in the centenary year of the NYC subway—is an essential book for all admirers of Evans’s unparalleled photographs, Agee’s elegant prose, and the great City of New York.

Luc Sante, author of Low Life, Evidence, and The Factory of Facts, is Visiting Professor of Writing and the History of Photography at Bard College; Jeff L. Rosenheim, Associate Curator, Department of Photographs, The Metropolitan Museum of Art, is the editor of Unclassified: A Walker Evans Anthology and Walker Evans: Polaroids and was the main contributor to the Metropolitan’s exhibition catalogue Walker Evans (2000).

“[New York City subway riders] are members of every race and nation of the earth. They are of all ages, of all temperaments, of all classes, of almost every imaginable occupation. . . . Each, also, is an individual existence, as matchless as a thumbprint or a snowflake.” —James Agee, from the introduction

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