Pliny and the Artistic Culture of the Italian Renaissance - McHam, Sarah Blake - Yale University Press
May 07, 2013
464 p., 8 3/4 x 11
120 color + 105 b/w illus.
Cloth: $85.00 sc
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- Art and Architecture
Pliny and the Artistic Culture of the Italian Renaissance
The Legacy of the "Natural History"
Shortlisted for the 2014 Phi Beta Kappa Award in the Ralph Waldo Emerson Award
Winner of the 2014 Roland H. Bainton Prize in Art History, given by the Sixteenth-Century Society and Conference.
Pliny’s Natural History (A.D. 77–79) served as an indispensable guide to and exemplar of the ideals of art for Renaissance artists, patrons, and theorists. Bearing the imprimatur of antiquity, the Natural History gave permission to do art on a grand scale, to value it, and to see it as an incomparable source of prestige and pleasure.
In this magisterial book Sarah Blake McHam surveys Pliny’s influence, from Petrarch, the first figure to recognize Pliny’s relevance to understanding the history of Greek art and its reception by the Romans, to Vasari and late 16th-century theorists. McHam charts the historiography of Latin and Italian manuscripts and early printed copies of the Natural History to trace the dissemination of its contents to artists from Donatello and Ghiberti to Michelangelo and Titian. Meanwhile, benefactors commissioned works intended to emulate the prototypes Pliny described, aligning themselves with the great patrons of antiquity. This is a richly illustrated, comprehensive reference work of social history, myth making, iconography, theory, and criticism.
Sarah Blake McHam is professor of art history at Rutgers University.
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