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Dali’s Optical Illusions - Ades, Dawn; Pinchot, Antonio; Sutton, Peter C.; Zafran, Eric - Yale University Press
  • Feb 01, 2000
    196 p., 9 7/8 x 11
    60 b/w + 60 color illus.
    ISBN: 9780300081770
    Cloth
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Art and Architecture

Published in association with the Wadsworth Atheneum  
 

Dali’s Optical Illusions

  • Edited by Dawn Ades; With contributions by Antonio Pinchot, Peter C. Sutton, and Eric Zafran
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This visually gripping book focuses on a central but relatively unexamined aspect of the work of Salvador Dali: his fascination with optical effects and visual perception. The book examines Dali’s use of various pictorial techniques, photography, and holograms to further his exploration of visual perception and the ways that optical illusion affects our sense of reality.

Dawn Ades and other authorities in the field discuss such paintings as The Enigma of William Tell, in which Dali experimented with anamorphosis, the perspectival distortion that produces on the canvas elongated forms demanding an oblique viewpoint. They also note his interest in other more conventional forms of perspective and their sources in both Dutch and Italian art. They study his development of the famous double image, the “paranoiac-critical method” that produced images that could be “read” in multiple ways, as seen in his Apparition of a Face and Fruit Dish on a Beach or Impressions of Africa. And they reveal his fascination with optical effects and three-dimensional illusions that is apparent in his post-war work: the “screen-dot” paintings like Sistine Madonna or Portrait of my Dead Brother, in which an image emerges from a “pointillist” surface; the striking stereometric paintings he began in the early 1970s—twin panels that have to be viewed through special lenses; and his holograms. The authors explore these works and many others, pointing to their sources in scientific theories of perception and perspective and comparing them with the work of such twentieth-century artists as Marcel Duchamp, who was similarly concerned with optics.

Dawn Ades is professor of the history of art at the University of Essex. She is the author of many books including Art in Latin America, published by Yale University Press. 

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