Gilbert Stuart - Barratt, Carrie Rebora; Miles, Ellen G. - Yale University Press
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- Art and Architecture
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- Metropolitan Museum of Art Series
Published in association with The Metropolitan Museum of Art
Carrie Rebora Barratt and Ellen G. Miles
The most successful and resourceful portraitist of Americaís early national period, Gilbert Stuart (1755Ė1828) possessed enormous natural talent, bringing his witty and irascible manner to bear on each of his works. This handsome book highlights Stuartís achievements by presenting more than ninety portraits of exceptional quality, ranging from the early works he produced in Newport, Rhode Island, to those he executed just before his death in Boston.
Carrie Rebora Barratt and Ellen G. Miles show how Stuart developed and maintained a distinctive portrait style, tailoring his portrayals to fit his subjects. They trace the development of his art from his hometown of Newport, where he proved his talent, to his years in London and Dublin, where he mastered the techniques of the English late-eighteenth-century Grand Manner, to his return to America (no longer the Colonies but now the United States), where he dealt with clients in New York, Philadelphia, Washington, and Boston. The authors provide a short essay about Stuart in each of the sites of his production, which introduces the works painted there. There is also a special section devoted to Stuartís famous and popular portraits of Washington, the so-called Vaughan, Athenaeum, and Lansdowne portraits. These works are discussed in terms of patronage, technique, chronology, and interpretation.
The most comprehensive book on the artistís work to date, Gilbert Stuart is essential for anyone who admires American art and history.
Carrie Rebora Barratt is Curator of American Paintings and Sculpture and Manager of the Henry R. Luce Center for the Study of American Art at The Metropolitan Museum of Art, New York; Ellen G. Miles is Curator of Painting and Sculpture at the National Portrait Gallery, Smithsonian Institution, Washington, D.C.
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