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Watercolors by Winslow Homer - Tedeschi, Martha; Walsh, Judith; Dahm, Kristi; Huang, Karen - Yale University Press
  • Feb 26, 2008
    228 p., 11 3/8 x 10
    270 color illus.
    ISBN: 9780300119459
    Cloth
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History
Art and Architecture

Distributed for the Art Institute of Chicago 
 

Watercolors by Winslow Homer

The Color of Light

  • Martha Tedeschi with Kristi Dahm; Contributions by Judith Walsh and Karen Huang
      REVIEWS             PREVIEW             CONTENTS             EXCERPTS      


Out of Print.


American painter Winslow Homer (1836–1910) created some of the most breathtaking and influential watercolors in the history of the medium. This handsome volume provides a comprehensive look at Homer’s technical and artistic practice as a watercolorist, and at the experiences that shaped his remarkable development. Focusing on 25 rarely seen watercolors from the Art Institute’s collection, along with 75 other related watercolors, gouaches, drawings, and paintings––including many of the artist’s characteristic subjects––the book proposes a new understanding of Homer’s techniques as they evolved over his career.

 

Accessibly written essays consider each of the featured works in detail, examining the relationship between monochrome drawing and watercolor and the artist’s lifelong interest in new optical and color theories. In particular, they show how his sojourn in England—where he encountered leading British marine watercolorists and the dynamic avant-garde art scene—precipitated an abrupt change in technique and subject matter upon his return home. Conservators address the fragility of these watercolors, which are prone to fading due to light exposure, and demonstrate, through pioneering research on Homer’s pigments and computer-assisted imaging, how the works have changed over time. Several of Homer’s greatest watercolors are digitally “restored,” providing an exhilarating glimpse of the original impact of Homer’s groundbreaking color experiments.

 

Martha Tedeschi is curator of prints and drawings at the Art Institute of Chicago and co-author of the catalogue raisonné The Lithographs of James McNeill Whistler (Yale), winner of the Wittenborn Prize. Judith Walsh, formerly paper conservator at the National Gallery of Art, Washington, is a professor in the Art Conservation Program at Buffalo State University. Kristi Dahm is assistant conservator of prints and drawings at the Art Institute of Chicago.

EXHIBITION SCHEDULE

The Art Institute of Chicago (February 16 – May 11, 2008)

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