Like a Bomb Going Off

'Ross is a passionate advocate, ardently evoking his surviving ballets and why his work, and his courage, meant so much to Soviet audiences.'-Zoe Anderson, The Independent

~Zoe Anderson, The Independent

"How wonderful that there is a new book about Leonid Yakobson, this unique and genius choreographer. I am happy to have been his muse, and I deeply appreciate his profoundly meaningful influence on the way I danced, which continued to shape my development throughout my career."—NATALIA MAKAROVA

~Natalia Makarova

"Peerless: a heartbreaking account of the distance between a choreographer's intentions and their staged realizations, a page-turning story of one Promethean life, and the most revealing of cultural studies about ballet's perversion by politics."—MINDY ALOFF, author of Hippo in a Tutu: Dancing in Disney Animation

~Mindy Aloff

"On the face of it, ballet is the least political of the arts. Yet in the Soviet Union even dancing came under state scrutiny. Like a Bomb Going Off tells the story of a remarkably courageous dancer, Leonid Yakobson, who first as a performer and then as choreographer came to irritate the Soviet authorities, to suffer punishments, and yet never gave up the fight for his art."—RICHARD PIPES, Harvard University, emeritus, author of A Consise History of the Russian Revolution

~Richard Pipes

"Leonid Yakobson was one of the most influential choreographers of his time, yet until now he has gone largely unrecognized. Thanks to Janice Ross, this extraordinary artist, who deserves the praise of the dance world and beyond, is brought to life in this revelatory, important book."—MIKKO NISSINEN, artistic director, Boston Ballet

~Mikko Nissinen

"Ambitious and fascinating . . . This admirably researched and well-written book throws a sharply focused light on a truly extraordinary artist and courageous human being."—Rita Feliciano, Dancers' Group

~Rita Feliciano, Dancers' Group

“Revolutionary Russian-Jewish choreographer Leonid Yakobson comes alive in Janice Ross’s Like a Bomb Going Off.”—Vanity Fair

~Vanity Fair

“Utterly engrossing . . . A landmark study . . . Like a Bomb Going Off is by turns infuriating and uplifting; it will leave its readers maddened by the predictable fear of imagination shared by all totalitarian regimes but also thrilled that stories of courage such as Yakobson’s are possible in such regimes at all."—Steve Donoghue, Open Letters Monthly

~Steve Donoghue, Open Letters Monthly

"In 1975 the Moscow critic Vadim Gayevsky wrote, 'Time passes, but Yakobson’s place in our ballet does not change. Eternal avant-gardist. Eternal free thinker. The sharpest poet with the best sense of humor and the poet of sharp humor. Spiritual colleague of Rodin, Chagall and Shostakovich. Who else can boast of titles like that?' That quote is included in this book, and God knows I cannot compete with the eloquence of Mr. Gayevsky. I salute Janice Ross for allowingus to peek behind the curtain of Yakobson’s extraordinarily creative life. His personal struggle for freedom - in life and in his art - was exemplary knowing the time and the place in which he fought to make his dreams and ideas into theatrical reality."?—MIKHAIL BARYSHNIKOV
 

~Mikhail Baryshnikov

“[A] labor-of-love account of a man who no doubt deserved far more recognition for his courage, innovation and indomitable spirit than he received.”—Roslyn Sulcas, New York Times

~Roslyn Sulcas, New York Times

“Illuminating . . . Ross is right: The story of this artist, all but unknown in the West, is a 'hidden yet monumental tale' about an unruly genius who proved that Westerners weren’t the only ones turning ballet into a modern art.”—Sarah Kaufman, Washington Post

~Sarah Kaufman, Washington Post

“A fantastic new book.”—Daily Beast

~Daily Beast

“Without Balanchine, the thinking goes, ballet would have buried itself in the past—and indeed, since the master’s death, in 1983, it has struggled to chart a future… Janice Ross soundly rejects this self-congratulatory and ultimately self-defeating account . . . She delivers on her claim that ‘during the initial years of the Cold War, the West did not have an exclusive purchase on experimentation in dance.’ The book’s timing could not be better . . . Yakobson is the ideal figure on whom to focus a corrected and expanded ballet history.”—Apollinaire Scherr, Atlantic

~Apollinaire Scherr, Atlantic